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2cHARLOTTE BRUNSDON AND DAVID MORI
Television and the World
11 other sections not shown
1974 World Cup aesthetic analysis Argentina argued articulation audience Brecht British British Film Institute broadcasters Burns and Allen Callaghan camera Cathy Come Home character Charlton cinema classic realist text coherence Colin MacCabe conception construction context contradiction conventions coverage cultural current affairs Days of Hope debate defined diegesis discourse discussion documentary drama dominant effect elements episode example fiction film Fletch football function Gangsters genres identification ideological important individual involved issues Klute knowledge labour look MacCabe McArthur meaning metalanguage mode narrative Nationwide particular Party phatic play pleasure plot police series political position present problems production programme question Radio relation relationship representation role scene scopophilia screen sequence shot signifying simply situation comedy social society specific spectator stars stereotypes story structure Sweeney television television drama tension theatre tion topic truth unity viewer Whitelaw World Cup