Celluloid Indians: Native Americans and Film

Front Cover
U of Nebraska Press, Jan 1, 1999 - Performing Arts - 261 pages
Native American characters have been the most malleable of metaphors for filmmakers. The likeable Doc of Stagecoach (1939) had audiences on the edge of their seats with dire warnings about ?that old butcher, Geronimo.? Old Lodgeskins of Little Big Man (1970) had viewers crying out against the demise of the noble, wise chief and his kind and simple people. In 1995 Disney created a beautiful, peace-loving ecologist and called her Pocahontas. Only occasionally have Native Americans been portrayed as complex, modern characters in films like Smoke Signals. Celluloid Indians is an accessible, insightful overview of Native American representation in film over the past century. Beginning with the birth of the movie industry, Jacquelyn Kilpatrick carefully traces changes in the cinematic depictions of Native peoples and identifies cultural and historical reasons for those changes. In the late twentieth century, Native Americans have been increasingly involved with writing and directing movies about themselves, and Kilpatrick places appropriate emphasis on the impact that Native American screenwriters and filmmakers have had on the industry. Celluloid Indians concludes with a valuable, in-depth look at influential and innovative Native Americans in today's film industry.
 

Contents

Genesis of the Stereotypes
1
The Silent Scrim
16
From D W Griffiths The Battle at Elderbrush Gulch
25
The Cowboy Talkies of the 1930s 1940s and 1950s
36
From William Seiters Allegheny Uprising
44
From John Fords Stagecoach
55
From Delmer Daves Broken Arrow
60
From John Fords The Searchers
62
From Franc Roddams War Party
114
From Jonathan Wackss Powwow Highway
119
From Kevin Costners Dances with Wolves
128
From Michael Manns The Last of the Mohicans
144
From Michael Ciminos The Sunchaser
165
The American Indian Aesthetic
178
Robert Redford Gerald Vizenor and Charlie Hill
187
Thomas King with Graham Greene
194

The 1960s and 1970s
65
From Abraham Polonskys Tell Them Willie Boy Is Here
74
From Ralph Nelsons Soldier Blue
80
From Milos Formans One Flew Over the Cuckoos Nest
99
The Sympathetic 1980s and 1990s
101
Director George Burdeau
207
Coming Attractions?
233
Filmography
249
Copyright

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About the author (1999)

Jacquelyn Kilpatrick, of Choctaw, Cherokee, and Irish descent, is a professor of English at Governor?s State University in University Park, Illinois. Her articles have appeared in Creative Screenwriting and Cineaste.

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