Eighteenth-century women poets and their poetry: inventing agency, inventing genre
This major study offers a broad view of the writing and careers of eighteenth-century women poets, casting a new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions. Rather than presenting a chronological survey, Paula R. Backscheider explores the forms in which women wrote and the uses to which they put those forms. Considering more than forty women in relation to canonical male writers of the same era, she concludes that women wrote in all of the genres that men did but often adapted, revised, and even created new poetic kinds from traditional forms. Backscheider demonstrates that knowledge of these women's poetry is necessary for an accurate and nuanced literary history. Within chapters on important canonical and popular verse forms, she gives particular attention to such topics as women's use of religious poetry to express candid ideas about patriarchy and rape; the continuing evolution and important role of the supposedly antiquarian genre of the friendship poetry; same-sex desire in elegy by women as well as by men; and the status of Charlotte Smith as a key figure of the long eighteenth century, not only as a Romantic-era poet.
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Eighteenth Century Women Poets: An Oxford Anthology
Roger Lonsdale,Roger H. Lonsdale
Limited preview - 1990
Anne Finch and What Women Wrote
Women and Poetry in the Public Eye
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Eighteenth-Century Women Poets and Their Poetry: Inventing Agency, Inventing ...
Paula R. Backscheider
No preview available - 2010
Anna Laetitia Barbauld Anna Seward Anne Finch Augustan Barbauld beautiful begins Behn canon century Charlotte Smith Chudleigh contrast couplets critics cultural Curran Darwall Darwall's death describes edition Egerton eighteenth eighteenth-century elegiac Elegy Elizabeth Carter Elizabeth Singer Rowe Elizabeth Tollet English Epistle example express Ezell fables feeling female friendship poems gender genres georgic Hinnant Honora hymns instance Jane Brereton kind Leapor Letters lines literary history Lonsdale male poets Mary Darwall Mary Leapor Mary Masters Mary Robinson melancholy mind Montagu Muse novel Occasions paraphrase pastoral Philips pleasure poetic poetry poets political Pope Pope's popular praise Psalm published quatrains quotation Quoted readers religious poetry retirement poems Reynolds Robinson Romantic Rowe's Sappho Sarah satire says sensibility social song sonnet Soul thee theme thou thought Tibullus tion Tollet tradition verse voice William woman women poets women writers women's poetry writing written wrote