Live Electronics, Volume 6 |
Contents
Contents | 1 |
The audio interface | 19 |
The UPIC as a performance instrument | 47 |
Cargo cult instruments | 73 |
Contents | 85 |
Liveelectronic music on the third coast | 107 |
Interactive performance systems | 131 |
Annea Lockwood interviewed by Stephen Montague | 147 |
live electronic music | 173 |
Mesias Maiguashca | 197 |
Realtime computer music at IRCAM | 219 |
235 | |
Common terms and phrases
1991 Harwood Academic acoustic instruments acoustic music action/response activity Annea Lockwood Australian Barry Anderson complex composer composition computer music concert Contemporary Music Review created delay devices electro-acoustic music electronic music ensemble experimental music feedback Figure finger gesture graphics Harwood Academic Publishers improvisation interactive interface IRCAM Jerry Hunt Joel Chadabe keyboard live performance live-electronic music live/electro-acoustic music mechanism melody MIDI modulation modulation index movement Music Review 1991 musical instruments musicians Nicolas Collins object parameters permitted by license piano piece pitch played player prerecorded produce publisher Photocopying permitted Publishers GmbH Originally ray list real-time region Reprinted in Malaysia Reprints available directly sampling score sensor sequence signal solo SOUND=SPACE STEIM Stephen Montague Stockhausen string studio synthesiser synthesizers tape Tim Souster timbral timbre traditional United Kingdom Reprinted UPIC velocity videoharp voice Wayne Siegel West Square Yamaha