Remembering Mr. Shawn's New Yorker: The Invisible Art of EditingFor more than three decades, a quiet man - some would say almost an invisible man - dwelt at the center of American journalistic and literary life. He was William Shawn, the editor-in-chief of The New Yorker from 1952 to 1987. In Remembering Mr. Shawn's New Yorker, Mr. Mehta, who started writing for The New Yorker at the age of twenty-five, and over some thirty-three years contributed such historic pieces as his brilliant study of philosophers at Oxford, and who was a friend of Shawn and his family, gives us the closest, most careful, and most refined description that has yet been written of Shawn's editorship of the magazine. As Mr. Mehta pulls back the curtain, we see the workings of The New Yorker behind the scenes. The book will give intense pleasure to all who love reading and writing, for it is at once a tribute to William Shawn, a close look at the relationship between writer and editor, and a joyful homage to the inextricably linked arts of editing, writing, and reading. |
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Page 280
... Pauline Kael to join Penelope Gilliatt in writing film criticism for The New Yorker . At that time , Pauline was forty - nine years old and was already established as a film critic in California . In 1980 , after taking a break from the ...
... Pauline Kael to join Penelope Gilliatt in writing film criticism for The New Yorker . At that time , Pauline was forty - nine years old and was already established as a film critic in California . In 1980 , after taking a break from the ...
Page 282
... Pauline Kael as film critic for The New Yorker . I had first met Penelope around 1961 , in London . She was then in her late twenties and was being courted by leading papers to become their regular film critic ; as I recall it , she was ...
... Pauline Kael as film critic for The New Yorker . I had first met Penelope around 1961 , in London . She was then in her late twenties and was being courted by leading papers to become their regular film critic ; as I recall it , she was ...
Page 382
... Pauline Kael , John Updike , and Lee Lorenz ( the art editor ) , had declined to sign the letter . She thought that the choice of Gottlieb might turn out to be " great for the magazine . " Her remark gave me pause . But then I recalled ...
... Pauline Kael , John Updike , and Lee Lorenz ( the art editor ) , had declined to sign the letter . She thought that the choice of Gottlieb might turn out to be " great for the magazine . " Her remark gave me pause . But then I recalled ...
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Remembering Mr. Shawn's New Yorker: The Invisible Art of Editing Ved Mehta No preview available - 1999 |
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