Art : a Bryn Mawr Symposium |
Contents
RICHARD BERN | 1 |
RHYS CARPENTER | 75 |
Evolution of Modern Painting | 117 |
Copyright | |
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Common terms and phrases
A. C. Bradley absolutely beautiful abstract abstract art actual aesthetic archaeologist archaic phase archaism art-object art's artist aware become BRYN MAWR COLLEGE Byzantine art century color complete conceptual definite demands drapery eagle effect emotional ence environment experience fact feeling field figures formal function gestalt Giottesque Giotto Greek human illusion image-likeness images imitation interest judgment of taste Kant kind landscape lecture limited linear logical magic material mathematical meaning ment mental mimesis mind modern nature non-aesthetic organism painter painting person phenomenal object physical physiognomic characters picture Plato possible primitive problem produce psychology of art pure realistic reality reference relation relationship religious representation representational art requiredness sculpture sense sensuous shapes solid spatial spectator spiritual stimulus subject-matter symbols task tation technical evolution technique theory theory of form things tion true uncon unity universe of discourse valid visual