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The First One Hundred Fifty Years
Lessing and Schlegel
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action Antony and Cleopatra audience Bradley Bradley's chapter characters Coleridge Coleridge's comedy comic convention Cordelia Coriolanus Cressida Cymbeline death Desdemona Dowden drama Elizabethan emotion essay esthetic ethical evil experience expression Falstaff feeling final finds genius Gervinus gives Goethe Hamlet Harbage Harbage's Hazlitt hero human humor Iago idea imagery images imagination individual Johnson justice King Lear Knight L. C. Knights Lady language less Love's Labour's Lost Macbeth means Measure for Measure mind moral Morgann Murry nature never observes Othello passage passion Pater perhaps persons play's plot poet poetic poetry praise Richard Richard III romantic Romeo and Juliet says scene Schlegel seems sense Shake Shakespeare Shakespeare's plays Shakespearean criticism Shakespearean tragedy Shaw sonnets soul speaks speare speare's speech spirit Spivack Spurgeon stage Stoll style Swinburne theater things thought Timon tion Tolstoy tradition tragedy tragic Troilus Troilus and Cressida unity virtue vision whole words