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Principles of Playing
Framing the Acted Picture
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A. S. Barnes action adult amateur player artistic audience baby Bible stories biblical boys and girls carefully character child church school color scheme contrasting colors costumes course David and Jonathan definite director Doran Company dramatic form dramatiza dress Edland effect Elijah emotional Eugene O'Neill expression finished dramatic production give given gray gumdrops harmony imitative period impression individual player King Arthur light lines Madonna material Miracle Plays Miriam mystery plays natural necessary needs never pantomime perhaps person pigment play form play or pageant play period playing space portrayal portraying presentation primary colors principles properties pupils Questions and Assignments rehearsal related colors religious drama religious education rhythm rhythmic gesture Samaritan scene scenery secondary color spectators spontaneous play Sunday teacher teaching medium team-play period tion tization to-day tone understanding voice week-day classes words yellow York City