The Rāga-s of Northern Indian Music |
Contents
BASES OF MELODIC STRUCTURES | 21 |
RHYTHM | 65 |
Grace gamaka | 80 |
Copyright | |
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Abhinava Gupta active ancient ANTARĀ Aroha Ascent Avaroha Ascent Avaroha Descent Audava Avaroha Descent SONANT Bb NiK Bhairava Bharata Bhatta Bikaner Bilāval Bombay Brihaddeshi Calcutta called calm chromatic CLASS Jāti comm comma comma commentary CONSONANT Samvādī Descent SONANT Vādi Deva Dhin Dhin diatonic Diatonic CHARACTERISTICS expression tonic G(Pa Gāndhāra Gāndharva GROUP heptatonic hexatonic Hindi HMV 7 EPE HMV EALP Indian music intervals joyful Kāfi Kalyāna Khammāja Kohala komal Lochana loving Madras main beats Mallār Matanga mātrā-s melodic figures MODE TYPE Thāta Music of India Nandikeshvara Nārada Nārāyana natural Ma shuddha Natya Shastra night MODE TYPE octave ornament OUTLINE Scale peace pentatonic Pentatonic in ascent PLAY Poona Purāna Rāga rāga-s ratnākara Sampurna Heptatonic Sangita Sangita-darpana Sangita-ratnākara Sanskrit Sāranga SCALE TYPE Shadja Shikshā Shiva Shiva-tattva-ratnākara Shri SHRUTI-S soft sound tablā Tāla tāna-s Tanjore Telugu script tender tetrachord THEME Rupa Thumri Todi TUNING OF INSTRUMENT Vādī