1 page matching Baroque "out of monet" in this book
What people are saying - Write a review
We haven't found any reviews in the usual places.
15 other sections not shown
accessible actual and potential aesthetic Alberti Alfred Schutz appresented appresented indicationally Aron Gurwitsch assumption Baroque formulation boundary-periphery celestial Celletti center of action Chapter Classical formulation comes to shove common-sensical compossibility daily datum of ordinary Descartes distinction drama eccentricity example existential experiential datum expressed extrapolated fable fantastic image feigned formulation of consciousness Fred Kersten Galileo geometrical History human Husserl Ibid imitation incoronazione di Poppea indicational appresentation indicationally appresented istoria Kepler knowledge at hand least resembles Leibniz Maniates Mannerist mathematical means melody milieu mimesis mimetic epochs mimetic resemblance Monteverdi motion nature Nikolai Kusmitch non-mimetic object opera ordinary experience Orpheus ostinato painting Panofsky periphery perspective phenomenological Philosophy polyphony possible potential reach quasi-worlds representation room-milieu scientific sculpture seems right self-interpretation sense sensory evidence social action specific specious present stock of knowledge tetrachord theory things unanswerable velocity verisimilar verisimilitude window world in common world within actual