Theatre as Sign-system: A Semiotics of Text and Performance
This invaluable student handbook is the first detailed guide to explain in detail the relationship between the drama text and the theory and practice of drama in performance.
Beginning at the beginning, with accessible explanations of the meanings and methods of semiotics, Theatre as Sign System addresses key drama texts and offers new and detailed information about the theories of performance.
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SEMIOTICS OF PERFORMANCE
STAGE DIRECTIONS II
READING THE IMAGE
TEXT IN PERFORMANCE
THE WAY FORWARD?
actantial action actor analysis ANDRYEEVNA audience banana Beckett's bourgeois Brecht Chapter character Cherry Orchard classic CLOV codes comedy constitutes constructed context conventions costume decoding deictic deixis designer dialogue diegetic director discourse dominant dramatic text dramatic world dramatist Elam elements Elvsted encoding Endgame establishing Everyman example extra-dialogic directions fictional foreground function further gesture HAMM Haupttext Hedda Gabler her/his Hippolytus identified ideological kinesics Kowzan's Krapp Krapp's Last Tape LADY AUDLEY Lady Audley's Secret language light linguistic sign-system literary London MacGowran Magee's means metaphor Miss Tesman mode narrative Nebentext object Oedipus the King offers opening mime operates Pavis performance Phaedra play play's plot Prague School production proxemic radical reading relation representation role scene semiotic semioticians sequence setting signify signs social spatial spectator spectator's speech stage directions stage picture stage space structure style tape textual theatre semiotics theatrical tion Top Girls tragedy Ubersfeld Veltrusky visual voice