A Vocabulary of Thinking: Gertrude Stein and Contemporary North American Women's Innnovative Writing
Using experimental style as a framework for close readings of writings produced by late twentieth-century North American women, Deborah Mix places Gertrude Stein at the center of a feminist and multicultural account of twentieth-century innovative writing. Her meticulously argued work maps literary affiliations that connect Stein to the work of Harryette Mullen, Daphne Marlatt, Betsy Warland, Lyn Hejinian, and Theresa Hak Kyung Cha. By distinguishing a vocabulary-which is flexible, evolving, and simultaneously individual and communal--from a lexicon-which is recorded, fixed, and carries the burden of masculine authority--Mix argues that Stein's experimentalism both enables and demands the complex responses of these authors.
Arguing that these authors have received relatively little attention because of the difficulty in categorizing them, Mix brings the writing of women of color, lesbians, and collaborative writers into the discussion of experimental writing. Thus, rather than exploring conventional lines of influence, she departs from earlier scholarship by using Stein and her work as a lens through which to read the ways these authors have renegotiated tradition, authority, and innovation.
Building on the tradition of experimental or avant-garde writing in the United States, Mix questions the politics of the canon and literary influence, offers close readings of previously neglected contemporary writers whose work doesn't fit within conventional categories, and by linking genres not typically associated with experimentalism-lyric, epic, and autobiography-challenges ongoing reevaluations of innovative writing.
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aesthetic African American argues asserts authors Autobiography of Alice avant-garde body Cha's chapter Chessman collaborative collaborative writing colonized color construction contemporary conventions create critics culture Daphne Marlatt deconstruction DeKoven desire DICTEE difference discussion Double Negative emphasizes epic erotic essay Everybody's Autobiography experience experimental writing experimentalist explains female femininity gender genre Gertrude Stein Harryette Mullen Hejinian hierarchy identity immigrant insistence intimacy Kathleen Fraser kind Korean language lesbian Lifting Belly lines literary love lyric male marginalized marks Marlatt and Warland means move Mullen narrative offers particular passage patriarchal poetry perhaps pink pleasure poem poets political position possible potential racial readers reading reference relationship repetition retranslation role seems sentence sexuality significant silence social space Spahr speak speaker Stein writes story strategies suggests Tender Buttons throughout tion Toklas Toklas's tradition translation Trimmings Vocabulary of Thinking voice woman women writers words