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Chapter Two The Left Hand
Chapter Three RightHand Position
Chapter Four Nail Filing
Chapter Five Articulation
Chapter Six Coordination and Velocity
accent Alexander Technique Andres Segovia angle angle of attack anticipation arch arpeggio articulation ascending attack Bach bass beat cello chapter chromatic scale clarity classical guitar common contour contrapuntal contrast coordination curve descending downbeat effect effort elbow emphasis example execution Fernando Sor filing fingerboard flesh contact flex forearm fourth finger free stroke fret full bar Gerhard Mantel guide finger guitar playing guitarists higher string impulse instrument knuckle left hand leftward legato Leopold Mozart less lessened leverage measure mechanical melodic middle joint move muscles nail notes nuances pattern percussive performance piano piece player pluck position possible produce rasgueado relaxation resistance rest stroke result rhythmic right hand right-hand finger right-hand preparation rotation scale seen from underneath Segovia sensation shift sixth string slurs sound speed staccato string change technique tension thumb tone color touch tremolo upbeat upper arm velocity vibrato violin Walter Gieseking wrist