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Aaron actions Aeneas aesthetic ambiguity Antony and Cleopatra artistic artistry asserts audience awareness B-Text Barabas Barabas's behavior Caesar Cambridge characterization characters Charney Christopher Marlowe comic conflict context conventional critics death desire Dido Dido's differences discussion Doctor Faustus dramatic dramatists dramaturgical Edward effect Elizabethan emotional epyllion example Faustus's feel figure focus forces Gaveston gender genre Greenblatt Guise Henry Hero and Leander heroic Ibid ideal imagination influence on Shakespeare irony Jew of Malta Jonson king language less literary Macbeth magic magician manliness Marlovian Marlowe and Shakespeare Marlowe's influence Marlowe's play Massacre At Paris means Merchant of Venice moral Moreover notion parody passage perspective poem political portray portrayal Prospero protagonists psychological Queen of Carthage Renaissance response Richard Richard III role scene seems sense sexual Shapiro Shylock similar soliloquy spectacle speech style suggest Tamburlaine plays theater theatrical Titus Andronicus tradition understanding University Press Venus and Adonis words writers
James P. Bednarz - Shakespeare's Marlowe: The Influence of ...