Historical Consciousness in Nineteenth-century Shakespearean Staging |
Contents
The Gothic Revival | 5 |
Historical Representation in the Theatre 17501800 | 13 |
Transition Years 17901825 | 27 |
Copyright | |
3 other sections not shown
Common terms and phrases
accuracy achievement action actors ancient antiquarian antique appeared appropriate architecture artists audience authentic beautiful became British brought buildings Capon Castle century characters Charles Kean churches Collection complete considered costume Covent Garden critics demanded describes direct dressing Drury Lane effect England English fact Figure flats forms Garrick Gothic Grieve Henry VIII historical Illustrated interest Italy Kean's Kemble Kemble's King John King Lear ladies later less Library London looked Macbeth Macready Macready's medieval MICHIGAN Middle Ages mounted never notes painted painters Palace past performance period Phelps picture pieces Planché play present Princess's production Pugin remained renderings revival Richard scene scenery season seems served Shakespeare Shakespeare's plays spectacle spectators stage Street style suggest Telbin's theatre theatrical took University Victorian York
References to this book
Romantic Stages: Set and Costume Design in Victorian England Alicia Finkel No preview available - 1996 |