Computer Music in Britain: Proceedings of the Conference at the Department of Computer Science, University of Edinburgh, 8th-11th April 1980Steven R. Holtzman |
Contents
Computer Music Concert Programme | 1 |
Kevin Jones City University London | 17 |
Computer Composition Systems | 67 |
2 other sections not shown
Common terms and phrases
acoustic AMPL amplitude analogue Apple II basic complex composer control processor CP/M create definition electronic music envelope event list event space example facilities feedback Figure FREQ frequency modulation functions general-purpose languages GGDL glissandi GOSUB grammar hardware heuristic histogram Holtzman input instrument interaction interface IRCAM level of surprise macro Markov Chain matrix means memory modulation index musical composition musicians notation OBJ1 OBJ2 OBJ3 objects occur operating optimise output Pass 3 variables perceived performance periodicity PHIPRO phrases piece play POKE possible preprocessor probability assignment problem space procedures produce psychoacoustic random real-time relationships repetition represented rhythmic rules sample scale scheme score sequence simple Sonology sound synthesis sound synthesis languages sound synthesis systems specified stochastic matrix Stochastic Processe stored subroutines tape techniques terminals timbral timbres timbres and durations transformations values version of Music waveform