Film History: Theory and Practice |
Contents
Researching Film History 2285 | 25 |
Reading Film History | 43 |
PART TWO TRADITIONAL APPROACHES TO FILM HISTORY | 65 |
Copyright | |
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advertising aesthetic film history American cinema American Fireman analysis approach art form artistic audience auteur Bell and Howell CALIFORNIA/SANTA CRUZ camera Chapter Chicago cinema verité Comolli context Crawford critical CRUZ The University cultural David Bordwell directors discourse documentary Drew Durham early economic Edison empiricist example exhibition fact feature films film historical research Film New York film production Film Studies film theory filmic filmmaking German films Grau historian history of film Hollywood film Hollywood style innovation invention Joan Crawford Journal Kracauer Leacock Lewis Jacobs masterpiece motion picture movie-going Moving Picture World MPPC Murnau narrative nickelodeon particular Photoplay popular problems programming questions Ramsaye reader Realism recording relationship Robert Drew role SANTA CRUZ screen semiotics silent film society sound star story structure Sunrise technological change television tion U.S. film industry UNIVERSITY OF CALIFORNIA UNIVERSITY OF CALIFORNIA/SANTA University Press Variety vaudeville Vitaphone Warner Bros