Opera's First Master: The Musical Dramas of Claudio Monteverdi, Volume 1
(Unlocking the Masters). Claudio Monteverdi (1567-1643) was the first great opera composer and is often hailed as the creator of modern music. His genius was often likened to that of Mozart, Wagner, and Verdi, but in many of the world's opera houses his operas often receive an almost chilly respect, far removed from the nearly universal love aroused by those later masters. This book, the first layperson's guide to Monteverdi, seeks to stimulate appreciation for his operas by examining them not as musicological relics but as the vital theatrical experiences they are. Ringer places Monteverdi's operatic works within the musical and theatrical framework of his era, offering a brief sketch of the composer's early years and detailing the complex forces that led to the emergence of opera in late sixteenth-century Florence. Opera's First Master enables opera lovers to see and hear Monteverdi's masterpieces anew, while opening new channels of inquiry into how Monteverdean opera "works" in the theater.
28 pages matching Mantuan in this book
Results 1-3 of 28
What people are saying - Write a review
We haven't found any reviews in the usual places.
Lend Me a Castrato
So That Memory of His Glory May Live
The First Lost Opera and Other Works for Mantua
6 other sections not shown
Amore Antinoo aria Arianna arioso Arnalta audience Badoaro's ballo baroque bass basso continuo beautiful Book of Madrigals Busenello's castrato character chorus Claudio Monteverdi Clorinda composer composer's concitato courtly create death declamation divine Drusilla duet emotional Eumete Eumete's Euridice Eurimaco expression final Francesco Giove happy heart heaven human instrumental Iro's L'Arianna L'incoronazione di Poppea L'Orfeo lament librettist libretto lovers Lucano lyrical madrigal Mantuan Melanto melody Minerva Monteverdi Monteverdi's Musical Theater moral Musical Theater Nerone Nerone's Nettuno notes Nutrice opera Orfeo ornamentation Ottavia Ottone Ottone's passage Penelope Penelope's performance Phaeacians phrase play Plutone portrayed prologue punctuated recitative Renaissance repeated repetition rest rhythm ritornello role Rosand scene score Seneca sense shepherds sinfonia singers sings solo soloistic song soprano speech stage stile concitato style suggests suitors sung Tancredi Telemaco tenor tion torna tune Ulisse Ulisse's Valletto Venetian Venetian opera Venice verses vocal line voice words