Golden Boy

Front Cover
Samuel French, Inc., 1937 - Drama - 81 pages
5 Reviews
Majestic Theatre, Hilliard Elkins presents Sammy Davis in the new musical "Golden Boy," book by Clifford Odets and William Gibson based on Mr. Odets' play, music by Charles Strouse, lyrics by Lee Adams, with Billy Daniels, Paula Wayne, Kenneth Tobey, Ted Beniades, Roy Glenn, Jeannette DuBois, Johnny Brown, Jaime Rogers, Louis Gossett, Charles Welch, Don Crabtree, Lola Falana, sets, costumes, and projections designed by Tony Walton, lighting by Tharon Musser, projections devised by Richard Pilbrow, musical direction Elliot Lawrence, choreography by Donald McKayle, orchestrations by Ralph Burns, associate producer George Platt, original cast album by Capitol Records, score published by Edwin H. Morris and Co., directed by Arther Penn.
  

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LibraryThing Review

User Review  - antiquary - LibraryThing

Perhaps Odets' best play. I saw it revived in a small London theater a few years ago and it was still effective, though the hero's choice between boxing and music has become a cliche. Read full review

Review: Golden Boy

User Review  - Michael - Goodreads

This is the first play of Odets's I have read, based on a very positive New Yorker review of a recent production. Was the play groundbreaking in its time? Can a stunning production make something ... Read full review

Selected pages

Contents

Section 1
4
Section 2
5
Section 3
37
Section 4
65
Section 5
81
Copyright

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About the author (1937)

With Lillian Hellman, Odets remains one of the foremost U.S. dramatists of the 1930s. Born in Philadelphia, he became an actor about 1923 and joined the Group Theatre upon its founding in 1930. From then until its collapse in 1940, the Group Theatre produced seven plays by Odets, all of which reflect the Depression era in which they were written. His first play, Waiting for Lefty (1935), an agitprop play about strikers, was an enormous success. Most of his other plays of the 1930s, most notably Awake and Sing (1935) and Paradise Lost (1935), concern the economic and psychological plight of poor New York City Jewish families and heighten middle-class Jewish speech into a kind of poetry. After the collapse of the Group Theatre, Odets produced only four more plays. Odets was criticized, however, for betraying his leftist sympathies when he named names before the House Un-American Activities Committee during the McCarthy era.

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