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3-M color 3-M Color-in-Color 3-M machine activities aesthetic Art lnstitute art school art world Artforum Arthur Taussig aspects Bauhaus camera collaboration cooperative Courtesy Light Gallery creative Designing the program develop discovery Don Conlin Douglas Dybvig dp dp dp Dybvig and Conlin electric chair electronic imaging Emilio Ambasz equipment example exhibition experience exploration Ezra Pound Facsimile Machine Franz Kafka functions graphers graphic ideas image-making process imaging machines individual interaction invention inventor Karl Gerstner Keith Smith Landy ln fact Marshall McLuhan McLuhan meaningful method of deduction Modern Art moral responsibility morphological box Museum of Modern numbers participants Paul Klee Peter Hunt Thompson photographer Piet Mondrian printers problems reality relationship Robert Heinecken role roller marks scientific scientist social solutions Sonia Sheridan specific element structure teleprinter think program Thomas Barrow tion Tyler James Hoare understanding Untitled visual are continuous workshops York