The stolen white elephant, and other detective stories

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Oxford University Press, 1996 - Fiction - 720 pages
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Three detective stories by Mark Twain with an introduction by Walter Mosely, the modern master of mystery writing, and an afterword by noted scholar Lillian S. Robinson. "The Stolen White Elephant" is a broad farce mocking the self-proclaimed omniscience of many fictional detectives, told entirely in the form of a series of ridiculous telegraphs. Revolving around the theft of a literal white elephant, the gift of the King of Siam, this manifestly absurd story is nevertheless modeled after the real life efforts of a blundering New York Police Department to recover the corpse of one Alexander T. Stewart, stolen from his family vault in 1878. "A Double-Barreled Detective Story" is another delightful spoof of the mystery genre, then in its infancy, this time introducing the reader to Sherlock Holmes as he has never been seen before or since. Far from his usual elegant London haunts, the great detective is caught up in a melodramatic murder mystery of love, betrayal, and vengeance in a rough California mining town. Finally, in "Tom Sawyer, Detective," Twain gives us a lively adventure featuring Tom Sawyer as the great detective and Huck Finn as his Watson, investigating diamond thefts and murders back in Hannibal. Three delightful stories, all with Twain's trademark wit and sense of fun.

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Contents

The Stolen White Elephant
7
Soke Rambling Notes of an Idle Excursion
36
The Facts concerning the Recent Carnival
106
Copyright

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About the author (1996)

Samuel Clemens - steamboat pilot, prospector, and newspaper reporter - adopted the pen name "Mark Twain" when he began his career as a literary humorist. The pen name - a river's pilot's term meaning "two fathoms deep" or "safe water" - appears to have freed Clemens to develop the humorous, deadpan manner that became his trademark. During his lifetime, Twain wrote a great deal. Much of his writing was turned out quickly to make money. Even his least significant writing, however, contains flashes of wit and reveals his marvelous command of colloquial American English. His best work is his "Mississippi writing" - Life on the Mississippi (1883) and The Adventures of Huckleberry Finn (1884). In the latter novel Twain was able to integrate his talent for comic invention with his satirical cast of mind and sense of moral outrage. Novelist Ernest Hemingway declared The Adventures of Huckleberry Finn the greatest American novel and the source of all modern American fiction. Certainly it influenced Hemingway's own work and that of writers as diverse as Saul Bellow and J.D. Salinger. Twain was born in Florida, Missouri, and grew up in Hannibal, a small southern town very similar to the one in which he places his heroes Tom Sawyer and Huckleberry Finn. Twain was a printer for a time, and then became a steamboat pilot, a profession he regarded with great respect all his life. He traveled in the West, writing humorous sketches for newspapers. In 1865, he wrote the short story "The Celebrated Jumping Frog of Calaveras County," which was very well received. He then began a career as a humorous travel writer and lecturer, publishing The Innocents Abroad in 1869, Roughing It in 1872, and, co-authored with Charles Dudley Warner, Gilded Age in 1873. His best-known works, however, are the novels that came out of his childhood in Hannibal: The Adventures of Tom Sawyer (1876) and The Adventures of Huckleberry Finn (1884). Critic and editor of the Atlantic Monthly William Dean Howells, a friend of Twain's, encouraged him to write for that periodical. Howells later wrote an affectionate memoir, My Mark Twain, in which he called Twain, "the Lincoln of our literature." In 1894, a publishing house that Twain had invested in went bankrupt and Twain lost a great deal of money. This was but one of several fortunes he was to lose as a result of his poor business sense and propensity for unrealistic money-making schemes. His personal life was further blighted by the various deaths from illness of an infant son and two grown daughters and the long illness and eventual death of his wife. These experiences of success, failure, sorrow may account for the contrasting extremes of humor and bitterness in Twain's writing. Toward the close of his life, the bitterness predominated, and Twain turned to writing satirical diatribes against God and humanity - so much so that his surviving daughter, Clara, refused to allow these works to be published in her lifetime.

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