Landscape Drawing and Painting |
From inside the book
Results 1-2 of 2
Page 6
... Ian Hay ARCA for pages 17 , 22 , 23 , 62 , 63 and 64 ; John Nash RA for pages 48 , 88 and colour plate facing page 49 ; and Elizabeth Sorrell for page 65 . Acknowledgment is due to the following for permission to illustrate works from ...
... Ian Hay ARCA for pages 17 , 22 , 23 , 62 , 63 and 64 ; John Nash RA for pages 48 , 88 and colour plate facing page 49 ; and Elizabeth Sorrell for page 65 . Acknowledgment is due to the following for permission to illustrate works from ...
Page 19
... with charcoal overdrawn with ink - conté pencil , lightly softened ink , thinned with water . Lightest areas redrawn by removal of charcoal and chalk with eraser and rag Ian Hay Drawing on good quality watercolour paper in conté crayon .
... with charcoal overdrawn with ink - conté pencil , lightly softened ink , thinned with water . Lightest areas redrawn by removal of charcoal and chalk with eraser and rag Ian Hay Drawing on good quality watercolour paper in conté crayon .
Contents
Acknowledgment | 6 |
The sketch book | 43 |
Selection of image | 51 |
Copyright | |
3 other sections not shown
Common terms and phrases
absorbent Acrylic paint aerial perspective Albert Museum bank British Museum brush cadmium cartridge centre chalk charcoal chinese ink clearly cloud colour plate facing Coloured inks Cornfield crayon curve drawing and painting drawn Easels easily edges Elizabeth Sorrell experience facing photograph Fiske Kimball foreground Glasgow Art Gallery grasses handmade paper hard hedge Ian Hay illustrates inexperienced artist Japanese paper John Constable John Nash land landscape drawing larger light linear lines material medium mood movement Münch non-figurative Non-waterproof ink orange original pale Pencil drawing Peter Coker picture piece pigment printing papers produce quickly record rhythm rock forms rough paper Samuel Palmer seen selection of image shapes sheets showing silhouette similar sketch book smooth smudge soft pencil stick strong surface Tate Gallery thin tint tonal tones tracing frame trade tubes vertical Victoria and Albert vision wash white gouache yellow zoom lens