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The American Musical:

And The Formation of National Identity
Front Cover
1 Review
Princeton University Press, 2005 - Music - 361 pages
The American musical has achieved and maintained relevance to more people in America than any other performance-based art. This thoughtful history of the genre, intended for readers of all stripes, offers probing discussions of how American musicals, especially through their musical numbers, advance themes related to American national identity. Written by a musicologist and supported by a wealth of illustrative audio examples (on the book's website), the book examines key historical antecedents to the musical, including the Gilbert and Sullivan operetta, nineteenth and early twentieth-century American burlesque and vaudeville, Tin Pan Alley, and other song types. It then proceeds thematically, focusing primarily on fifteen mainstream shows from the twentieth century, with discussions of such notable productions asShow Boat(1927),Porgy and Bess(1935),Oklahoma!(1943),West Side Story(1957),Hair(1967),Pacific Overtures(1976), andAssassins(1991). The shows are grouped according to their treatment of themes that include defining America, mythologies, counter-mythologies, race and ethnicity, dealing with World War II, and exoticism. Each chapter concludes with a brief consideration of available scholarship on related subjects; an extensive appendix provides information on each show discussed, including plot summaries and song lists, and a listing of important films, videos, audio recordings, published scores, and libretti associated with each musical.

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Review: The American Musical: And the Formation of National Identity

User Review  - Rachel - Goodreads

This is not a good book to read if you're someone unfamiliar with the history of musical theater and want a general overview (for that, see Our Musicals, Ourselves), but it's fascinating if you ... Read full review

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References from web pages

Mary Jo Lodge - Unfinished Show Business: Broadway Musicals as ...
The American Musical and the Formation Of National Identity. By Raymond Knapp. Princeton: Princeton University Press, 2005; pp. xxi + 361. ...
muse.jhu.edu/ journals/ theatre_journal/ v058/ 58.3lodge.html

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Table of Contents for The American Musical and the Formation of National Identity by Knapp, R., published by Princeton University Press.
press.princeton.edu/ TOCs/ c7841.html

Knapp, Raymond: The American Musical and the Formation of National ...
In his new book, The American Musical and the Formation of National Identity, Knapp presents a compelling view of the relevance of American musical theater ...
findarticles.com/ p/ articles/ mi_hb141/ is_200503/ ai_n18960505

"The American Musical and the Performance of Personal Identity ...
(The earlier book, The American Musical and the Formation of National Identity, was reviewed on this site last year.) He wrote that the second book would ...
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| Book Review | The American Historical Review, 111.2 | The ...
The American Musical and the Formation of National Identity. Princeton: Princeton University Press. 2005. Pp. xxi, 361. $35.00. ...
www.historycooperative.org/ journals/ ahr/ 111.2/ br_98.html

Scholar examines influence of the American musical on nation ...
That is how Knapp came to write "The American Musical and the Formation of National Identity," which explores how such chestnuts as "Fiddler on the Roof," ...
www.today.ucla.edu/ people/ raymond-knapp_musicology/

Caliber - Journal of the American Musicological Society - Vol. 60
The American Musical and the Formation of National Identity, by Raymond Knapp. Princeton, NJ, and Oxford: Princeton University Press, 2005. xxi, 361 pp. ...
caliber.ucpress.net/ toc/ jams/ 60/ 3

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The American Musical And The Formation Of National Identity. 정가, 26300원. 판매가, 26300원 + 수수료 (0% DC). 적립금, 500(2%). ISBN10, 0691126135 ...
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Goyim on the roof: embodying authenticity in Leveaux’s Fiddler on ...
Knapp, R. (2005), The American Musical and the Formation of National Identity,. Princeton: Princeton University Press. Lahr, J. (2004), ‘Bittersweet’, ...
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About the author (2005)

Raymond Knapp is professor of musicology at the University oRaymond Knapp is professor of musicology at the University of California, Los Angeles, and the author of "The American Mf California, Los Angeles, and the author of "The American Musical and the Formation of National Identity" (Princeton), usical and the Formation of National Identity" (Princeton), winner of the George Jean Nathan Award for Dramatic Criticiswinner of the George Jean Nathan Award for Dramatic Criticism. He has also published books on Brahms and Mahler. m. He has also published books on Brahms and Mahler.

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