A gift that cannot be refused: the writing and publishing of contemporary American poetry
This unique work is the first book to bring systematically gathered and analyzed data to bear on the question of how contemporary poetry reaches the American public. It explores the publishing patterns, experiences, methods, motivations, and rewards of 203 living American poets from 1950 through 1980. Although all the poets have published quite widely, including at least one poetry book, they range from the little-known to the famous, from the well-established to the relatively young, from those who write in more or less traditional forms to the highly experimental. Among the many poets who cooperated in the study are Philip Levine, Gary Snyder, Allen Ginsberg, Theodore Enslin, Maxine Kumin, May Swenson, Donald Justice, William Stafford, Mona Van Duyn, Robert Hass, and Robert Pinsky. The book also explores the roles played by the major categories of periodicals that publish poetry-general interest magazines, academic literary journals, and independent "little magazines." Commercial book presses, university presses, and "small presses" are also tracked and analyzed. Information for this study was obtained from various sources, including the many hundreds of little magazines and academic literary journals published throughout the thirty years; published interviews, with articles and statements by the 203 poets; and an extensive questionnaire survey sent to the poets, as well as many expansive letters that accommodate their returned questionnaires. Two chapters "frame" the findings. Chapter 1 surveys the publishing of American poetry from approximately 1900 through the 1940s, highlighting important tendencies and trends that continued through 1980. Chapter 8 surveys American poetry publishing since 1980, paying special attention to the major change during this decade: the dramatic decline in public funding for nonprofit literary enterprises. This volume should appeal to those interested in the sociology of publishing, American literature, or creative writing.
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The Publishing of Poetry Before 1950
Who Was Published and When
Where the Poets Published
9 other sections not shown
academic journals acceptance Allen Ginsberg appearances audience authors awards book publishers career cited Clausen creative writing critics decades early edited editors example Ezra Pound factors feminist friends Galway Kinnell Gary Snyder Harriet Monroe important income independent issue James Dickey John John Ashbery Karen Snow least less lishing listed literary journals literary magazines literary publishing literature little magazines Little Review living major manuscript Maxine Kumin median never Newer Nonprizewinners newer poets Newer Prizewinners noncommercial Nonprize Older Nonprizewinners older poets Older Prizewinners percent percentage Philip Levine poems poet's poetic poetry books poetry publishing poetry's poets prestigious prizes prizewinning poets published poetry question questionnaire ranked readers rejection respondents Richard Robert Bly Robert Hass royalties sector seemed self-publishing small presses small publishing submissions submitted Theodore Enslin trade press University Press William Stafford winners women poets wrote Yale Younger Poet York Yorker