American Salons : Encounters with European Modernism, 1885-1917: Encounters with European Modernism, 1885-1917 (Google eBook)

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Oxford University Press, Dec 11, 1992 - Art - 520 pages
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In American Salons, Robert Crunden provides a sweeping account of the American encounter with European Modernism up to the American entry into World War I. Crunden begins with deft portraits of the figures who were central to the birth of Modernism, including James Whistler, the eccentric expatriate American painter who became the archetypal artist in his dress and behavior, and Henry and William James, who broke new ground in the genre of the novel and in psychology, influencing an international audience in a broad range of fields. At the heart of the book are the American salons--the intimate, personal gatherings of artists and intellectuals where Modernism flourished. In Chicago, Floyd Dell and Margery Currey spread new ideas to Sherwood Anderson, Theodore Dreiser, and others. In London, Ezra Pound could be found behind everything from the cigars of W. B. Yeats to the prose of Ford Madox Hueffer. In Paris, the salons of Leo and Gertrude Stein, and Michael and Sarah Stein, gave Picasso and Matisse their first secure audiences and incomes; meanwhile, Gertrude Stein produced a new writing style that had an incalculable impact on the generation of Ernest Hemingway. Most important of all were the salons of New York City. Alfred Stieglitz pioneered new forms of photography at the famous 291 Gallery. Mabel Dodge brought together modernist playwrights and painters, introducing them to political reformers and radicals. At the salon of Walter and Louise Arensberg, Marcel Duchamp and Francis Picabia rubbed shoulders with Wallace Stevens, Man Ray, and William Carlos Williams. By 1917, no art in America remained untouched by these new institutions. From the journalism of H. L. Mencken to the famous 1913 Armory Show in New York, Crunden illuminates this pivotal era, offering perceptive insights and evocative descriptions of the central personalities of Modernism.
  

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Contents

Three Precursors
3
William James a World of Pure Experience
30
Henry James the Drama of Consciousness
57
Discontent in the Provinces
81
London Where Ezra Pound Appropriated
195
Paris Where the Stein Families Provided
275
Alfred Stieglitz
339
Mable Dodge
383
Walter Louise Arensberg
409
A Note on Archival Sources
445
Index
487
Copyright

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JSTOR: American Salons: Encounters with European Modernism, 1885-1917.
Robert Crunden's American Salons: Encounters with European Modernism, 1885- 1917 begins with a sensible and appealing premise, that is, that modernism, ...
links.jstor.org/ sici?sici=0002-9831(199403)66%3A1%3C183%3AASEWEM%3E2.0.CO%3B2-R

IN SHORT: NONFICTION - New York Times
AMERICAN SALONS Encounters With European Modernism, 1885-1917. By Robert M. Crunden. Oxford University, $35. Despite its title, this well-intentioned but ...
query.nytimes.com/ gst/ fullpage.html?res=9F0CEFDA1031F934A35751C0A965958260& sec=& spon=& pagewanted=print

American Literature: The Twentieth Century
XVI. American Literature:. The Twentieth Century. LIONEL KELLY, PAT RIGHELATO, HENRY CLARIDGE, DEBORAH. PARSONS, PETER VERNON and STEVEN PRICE ...
ywes.oxfordjournals.org/ cgi/ reprint/ 75/ 1/ 587.pdf

Copyright by Clinton Robert Starr 2005
The Dissertation Committee for Clinton Robert Starr. Certifies that this is the approved version of the following dissertation: ...
www.lib.utexas.edu/ etd/ d/ 2005/ starrc50869/ starrc50869.pdf

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