Music In Western Civilization: Romanticism To The Present
MUSIC IN WESTERN CIVILIZATION by Wright and Simms places music in the context of the politics and personalities, and the arts and humanities of each period of Western intellectual history. The importance of cultural context is evidenced by chapters entitled "Richard Strauss in Berlin," "Johann Sebastian Bach: Vocal Music in Leipzig," and "Music in Medieval Paris: Polyphony at Notre Dame." The writing is crystal clear, and student comprehension is increased by means of boldface Key Terms and by concise chapter summaries. The eighty-three brief chapters allow instructors to pick and choose which material they wish to emphasize, and it is available in three formats: comprehensive edition, 2 volumes, and 3 volumes. Moreover, the text is as comprehensive as it is clear. All major composers, styles, and genres are covered. 224 pieces are discussed, with additional commentary and complete musical scores in an accompanying anthology prepared by Professor Timothy Roden. The anthology is available in a two-as well as a three volume set to meet the needs of various course structures. Recordings of all 224 pieces are available on the 13 CDs, and student exercises and analysis questions are found in a companion Student Workbook. In sum, the text of Wright and Simms will revolutionize the teaching of music history because it situates music in its cultural context, yet does so in a way that is clear and easy to understand.
14 pages matching neoclassicism in this book
Results 1-3 of 14
What people are saying - Write a review
We haven't found any reviews in the usual places.
THE ROMANTIC PERIOD
Musical Interlude 6 Romanticism
63 other sections not shown
Anthology Arnold Schoenberg artistic atonal audience ballet Bartok bass Beethoven Berlioz big band Brahms called Chapter character pieces Chopin choral chords chorus Clara Schumann classical Claude Debussy composition concert conductor Copland created dance Debussy Debussy's dissonant dramatic electronic music elements Elgar ensemble expressive FIGURE French genre German Gustav Mahler harmonic Hector Berlioz Hindemith Hungarian ideas Igor Stravinsky instruments jazz later Lili Boulanger LISTENING CUE Liszt Mahler major melody Mendelssohn motive movement musicians neoclassicism nineteenth century octatonic scale opera orchestra Otello Paris performed phrase pianist play poem popular Prokofiev Ravel rhythm rhythmic Richard Strauss romantic Russian scene Schubert Schumann serialism shown in Example singing solo sonata sonata form song sound String Quartet style Symphonie fantastique Symphony tempo texture theater theme tion tonal tone tone row traditional twelve-tone twelve-tone method twentieth century variations Vienna violin voice Wagner Wozzeck write wrote