Lewis Percy

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Vintage Books, Mar 1, 1991 - Fiction - 261 pages
4 Reviews
Anita Brookner is justly famous for her elegant, almost Jamesian character studies of women poised on the threshold of life. But in Lewis Percy, she performs a remarkable leap of imaginative empathy in her portrayal of a man torn between the reassuring cloister of the library and the alluring but terrifying world of the senses, a world populated by women who persist in bewildering him. From the Trade Paperback edition.

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Review: Lewis Percy

User Review  - Lisa - Goodreads

The usual Brookner scenario and types. Read full review

Review: Lewis Percy

User Review  - Amicus (David Barnett) - Goodreads

I have to say that the eponymous hero never really came alive for me. The ending was a delightful surprise. Read full review

Contents

Section 1
1
Section 2
15
Section 3
30
Copyright

16 other sections not shown

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About the author (1991)

Anita Brookner is a novelist whose forte is the meticulous examination of the lives of unremarkable women. She portrays the women with dignity and tolerance. Brookner generates novels of intellectual and emotional compulsion. Brookner's novels evoke a near contemporary, Barbara Pym, and the tradition of Jane Austin and Charlotte Bronte. But they reflect the realities of a generation later than that of Pym. For Brookner, a simple, pacific femininity no longer provides a respite from a danger that lurks throughout her world. Unhappiness, which Pym's characters bear with resignation, torments Brookner's sensibility. Hotel du Lac (1984) won the Booker Prize and remains Brookner's most acclaimed work. Cunning and formal in tenor, it probes the repressed secrets and fragile psychological condition of a writer, Edith Hope, who is recovering from the external world's threats and bruises and trying to reconcile the life of human passions with the life of the artist. Critics have rated the novel as one of the most important works in the genre of Kunstlerroman for the late modern period. A professor of art history, Brookner has taught at Cambridge University and the Cortauld Institute where she specialized in eighteenth- and nineteenth-century painting. In addition to her fiction, Brookner has written scholarly works about Jacques Louis David, Jean Baptiste Greuze, and Jean-Antoine Watteau.

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