Colonial Copyright: Intellectual Property in Mandate Palestine (Google eBook)

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Oxford University Press, Oct 4, 2012 - Law - 336 pages
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When the British Empire enacted copyright law for its colonies and called it colonial, or Imperial, copyright, it had its own interests in mind. Deconstructing the imperial policy regarding copyright offers a startling glimpse into how this law was received in the colonies themselves. Offering the first in-depth study from the point of view of the colonized, this book suggests a general model of Colonial Copyright as it was understood as the intersection of legal transplants, colonial law, and the particular features of copyright, especially authorship. Taking as a case study the story of Mandate Palestine (1917-1948), the book details the untold history of the copyright law that became the basis of Israeli law, and still is the law in the Palestinian Authority. It queries the British motivation in enacting copyright law, traces their first, indifferent reaction, and continues with the gradual absorption into the local legal and cultural systems. In the modern era copyright law is at the forefront of globalization but this was no less true when colonial copyright first emerged. By shining a light on the introduction and reception of copyright law in Mandate Palestine, the book illuminates the broader themes of copyright law: the questions surrounding the concept of authorship; the relationship between copyright and the demands of progress; and the complications of globalization.
  

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Contents

Introduction
1
1 Colonial Transplants
22
2 Colonial Copyright
40
3 The Making of British Colonial Copyright
60
4 Legislating Copyright in Palestine
79
5 Constructing Culture and the Image of the Hebrew Author
109
6 Copyright Law and Social Norms
139
7 Setting the Law in Motion
163
8 Copyright on the Air
190
9 Telegraphic News
212
10 Arab Copyright
239
11 At a Crossroad
256
Conclusion
280
Bibliography
289
Index
307
Copyright

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