Hitler and the Power of Aesthetics

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Hutchinson, 2002 - Biography & Autobiography - 488 pages
8 Reviews
Frederic Spotts, the distinguished author of Bayreuth, here develops a radical new interpretation of Hitler. Hitler's aim was the Aryan super-state, but it was to be expressed as much in Nazi art as in politics. Culture was not only the end, to which power should aspire, but the means of achieving it. This reassessment of Hitler's aims and motivations examines his perverse obsessions and shows how his artistry - expressed in spectacles, festivities, parades, rallies and political dramas, as well as in architecture, painting and music - destroyed any sense of individuality and linked the German people with his own drives. In a wide-ranging argument which covers topics as varied as Wagner's operas and the German Autobahn system, Spotts provides a key to the understanding of the Third Reich which has hitherto been missing in more straightforwardly political and military studies.

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Review: Hitler and the Power of Aesthetics

User Review  - Julian - Goodreads

The introduction mentioned that certain writers critiqued this volume saying that it read somewhat like a list. I was surprised at this pre-emptive defense upon starting this book since the first half ... Read full review

Review: Hitler and the Power of Aesthetics

User Review  - Lydia - Goodreads

An engaging analysis of how Hitler, the failed visual artist, altered the phrase "those who can't do, teach" into "those who can't do, kill those who can." Read full review

Contents

The Bohemian Aesthete
3
A Philosophy of Culture
16
The Artist as Politician
43
Copyright

17 other sections not shown

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About the author (2002)

Frederic Spotts is author of "Bayreuth: A History of the Wagner Festival," published by Yale University Press. His most recent book is "Hitler and the Power of Aesthetics." He lives in France.

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