Mannerism: TextKnopf, 1965 - Arts, Modern |
Contents
THE CONCEPT OF MANNERISM | 3 |
THE DISINTEGRATION OF THE RENAISSANCE | 23 |
THE ORIGIN OF THE SCIENTIFIC OUTLOOK | 44 |
Copyright | |
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alienation Andrea del Sarto appears artistic attitude baroque Bartholomeus Spranger Bruegel century Cervantes character characteristic Christ church classical colour completely composition concept conflict connection contrast Correggio Counter-Reformation courtly crisis culture Don Quixote effect El Greco elements everything expression fact feeling figures Florence formal frescoes Giulio Romano Góngora Greco hero High Renaissance human idea important individual influence intellectual Italian Italy Jacopo Bassano language later less literary literature mannerist Maurice Scčve means medieval merely metaphor Michelangelo Middle Ages mind modern moral movement narcissism nature never objective original outlook painter painterly painting Palazzo paradoxical Parmigianino period Petrarch picture play poem poetical poetry poets Pontormo principle produced Proust Raphael realism reality regarded religious representatives romantic Rome Rosso seems sense Shakespeare social space spatial spiritual spite style stylistic T. S. Eliot theme things Tintoretto tion Titian tragedy tragic trend Vasari visual arts whole words