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Books Books 1 - 10 of 100 on Scrooge, having his key in the lock of the door, saw in the knocker, without its....  
" Scrooge, having his key in the lock of the door, saw in the knocker, without its undergoing any intermediate process of change not a knocker, but Marley's face. Marley's face. It was not in impenetrable shadow, as the other objects in the yard were,... "
The Merry Devil of Edmonton: A Comedy - Page 72
by Peter Fabell - 1897 - 78 pages
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A Christmas Carol in Prose: The Chimes; The Cricket on the Hearth

Charles Dickens - 1846 - 342 pages
...any intermediate process of change not a knocker, but Marley's face. --"" Marley's face. It was not in impenetrable shadow, /as the other objects...light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but looked at Scrooge as Marley used to look: with ghostly spectacles...
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A Christmas Carol in Prose ; The Chimes ; The Cricket on the Hearth ; The ...

Charles Dickens - 1846 - 342 pages
...undergoing any intermediate process of change not a knocker, but Marley's face. Marley's face. It was not in impenetrable shadow, as the other objects...light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but looked at Scrooge as Marley used to look: with ghostly spectacles...
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A Christmas Carol in Prose: The Chimes; The Cricket on the Hearth

Charles Dickens - 1846 - 342 pages
...its undergoing any intermediate process of change: not a knocker, but Marley's face. Marley's face. It was not in impenetrable shadow as the other objects...yard were, but had a dismal light about it, like a had lobster in a dark cellar. It was not angry or ferocious, but looked at Scrooge as Marley used to...
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A Christmas Carol

Charles Dickens - 1858 - 100 pages
...undergoing any intermediate process of change not a knocker, but Marley's face. Marley's face. It was not in impenetrable shadow, as the other objects...light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but looked at Scrooge as Marley used to look : with ghostly spectacles...
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Christmas Books

Charles Dickens - 1859 - 412 pages
...undergoing any intermediate process of change not a knocker, but Marley' s face. Marley's face. It was not in impenetrable shadow, as the other objects...light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but looked at Scrooge as Marley used to look : with ghostly spectacles...
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Charles Dickens's works. Charles Dickens ed. [18 vols. of a 21 vol. set ...

Charles Dickens - 1867
...undergoing any intermediate process of change not a knocker, but Marley's face. Marley's face. It was not in impenetrable shadow as the other objects...light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but looked at Scrooge as Marley used to look : with ghostly spectacles...
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The Readings of Mr. Charles Dickens, as Condensed by Himself

Charles Dickens - 1868
...undergoing any intermediate process of change, not a knocker, but Marley's face. Marley's face, with a dismal light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but it looked at Scrooge as Marley used to look, with ghostly spectacles...
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A Christmas Carol and Boots at the Holly Tree Inn

Charles Dickens - 1868 - 70 pages
...undergoing any intermediate process of change, not a knocker, but Marley's face. Marley's face, with a dismal light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but it looked at Scrooge as Marley used to look, with ghostly spectacles...
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Pen photographs of Charles Dickens's readings: Taken from life

Kate Field - Literary Criticism - 1868 - 38 pages
...Of course " Scrooge " saw it, because the expression of Mr. Dickens's face makes me see it, " with a dismal light about it, like a bad lobster in a dark cellar." There is good acting in this scene, and there is fine acting when the dying flame leaps up as though...
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Speeches, literary and social. With chapters on 'Charles Dickens as a letter ...

Charles Dickens - 1870
...face !" Of course Scrooge saw it, because the expression of Mr. Dickens's face makes us see it " with a dismal light about it, like a bad lobster in a dark cellar." There is good acting in this scene, and there is fine acting when the dying flame leaps up as though...
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