Eighteenth-century Keyboard Music
Robert Lewis Marshall
Psychology Press, 2003 - Music - 443 pages
This volume focuses on the core composers of the 18th-century repertoire. It begins with an overview of the keyboard instruments that were in use during the 18th century and a chapter on performance practice. The book proceeds through each major composer, beginning with Bach, and then progressing through the French masters, Scarlatti, C.P.E. and J.C. Bach, Haydn, Mozart and early Beethoven. Each chapter is written by a well-known scholar in the field and includes history, musical examples and analysis.
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1 The Instruments
2 Aspects of Performance Practice
3 Johann Sebastian Each
4 French Masters
5 Domenico Scarlatti
6 Carl Philipp Emanuel Each
7 Johann Christian Each and the Early Classical Italian Masters
Adagio Alberti Alberti bass Allegro autograph Bach’s Badura-Skoda Baroque bass Beethoven binary C-minor cadence cadenza century chords chromatic Classical clavichord Clavier coda composer’s composers composition contrapuntal contrast Couperin dance Domenico Scarlatti dominant dynamic early eighteenth eighteenth-century embellishments EXAMPLE fantasia finale fortepiano French harpsichord fugue G major G minor Galuppi genre harmonic harpsichord harpsichord music Haydn improvisation Italian J.S.Bach Johann Christian Bach Johann Sebastian Bach Joseph Haydn keyboard concertos keyboard instruments keyboard music keyboard sonatas Kirkpatrick Leipzig London manuscript melodic minuet Mozart musicians notated notes octaves opening opera orchestra organ ornaments passage pedal performance phrase Piano Concerto piano sonatas Pieces de clavecin played preludes published Rameau recapitulation rhetoric rhythm rhythmic ritornello rondo Sebastian Bach second movement slow movement solo keyboard sonata form strings structure style stylistic suite symphony tempo texture thematic theme toccata tonal tonic trio variation Vienna violin virtuosity Well-Tempered Clavier