The Lord Chamberlain regrets...: a history of British theatre censorship

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British Library, 2004 - Drama - 197 pages
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Between 1824 and 1968, British theatre was controlled by censorship. Under the dictate of the Lord Chamberlains Office, all new plays were read for unfavourable or corrupting content with the intention of protecting the vulnerable audiences of the time. Such material was either instructed to be cut or the play to be banned. The effect that censorship may have had on the plays that came out of this period, not to mention the ones that never even got written, is crucial to our understanding of the history and development of theatre in Britain.

Revealed here for the first time are a selection of extensive extracts from key reports, correspondence, and memoranda about some of the most significant plays of the period. Many documents are reproduced in their entirety, allowing the reader direct access to original, unpublished, and unedited archive material. The authors contextualize this material within the political and moral issues of the time, and reveal the fascinating processes and debates that occurred in and around the Lord Chamberlains Office.

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Contents

Before Readers Reports
22
Petition submitted to the Lord Chamberlain The British Library LCP Corr 19245632
55
Readers Report by Henry Game on Miss Julie The British Library LCP Corr 19382153
86
Copyright

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About the author (2004)

Dominic Shellard is Head of the Department and School of English Literature at the University of Sheffield.

Steve Nicholson is a principal lecturer in the Department of Drama at the University of Huddersfield.

Miriam Handley is a lecturer in the Department of English Literature at the University of Sheffield.

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