Film Theory and Criticism: Introductory Readings

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Leo Braudy, Marshall Cohen
Oxford University Press, 2004 - Language Arts & Disciplines - 937 pages
8 Reviews
Since publication of the first edition in 1974, Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Extensively revised and updated, this sixth edition highlights both classic texts and cutting edge essays from more than a century of thought and writing about the movies. Editors Leo Braudy and Marshall Cohen have reformulated the book's sections and their introductions in order to lead students into a rich understanding of what the movies have accomplished, both as individual works and as contributions to what has been called "the art form of the twentieth [and now twenty-first] century." Building upon the wide range of selections and the extensive historical coverage that marked previous editions, this new compilation stretches from the earliest attempts to define the cinema to the most recent efforts to place film in the contexts of psychology, sociology, and philosophy, and to explore issues of gender and race.
The sixth edition features several new essays that discuss the impact of digital technology on the traditional conceptions of what films do and how they manage to do it. Additional selections from the important works of Gilles Deleuze round out sections dealing with the theories of such writers as Sergei Eisenstein, Andre Bazin, and Christian Metz, among others. New essays also strengthen sections dealing with the idea of "excess" in film, film spectatorship, the horror genre, and feminist criticism. Film Theory and Criticism, 6/e, is ideal for undergraduate and graduate courses in film theory and criticism.

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Review: Film Theory and Criticism: Introductory Readings

User Review  - Don - Goodreads

Fantastic variety of essays collected here. Read full review

Review: Film Theory and Criticism: Introductory Readings

User Review  - Ke Huang - Goodreads

To my knowledge, this book contains an extensive number of seminal articles on film criticism. Read full review

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Philosophy of Film: Advanced Topics Seminar in Philosophy Phil ...
Philosophy of Film: Advanced Topics Seminar in Philosophy. Phil 75.1, T 3:30 – 6, Brooklyn College. Professor Seeley, pseeley@msn.com ...
edisk.fandm.edu/ william.seeley/ Seeley/ PhilFilmsylabus.htm

USC College: Faculty: Department of English: Leo Braudy
Film Theory and Criticism: Introductory Readings, 6th edition. New York, NY: Oxford University Press. Braudy, L. (2003). From Chivalry to Terrorism: War and ...
college.usc.edu/ faculty/ faculty1003128.html

Chris Robe - Eisenstein in America: The Que Viva Mexico! Debates ...
Eisenstein in America:. The Qué Viva México! Debates and the Emergent Popular Front in us Film Theory and Criticism. Chris Robé ...
muse.jhu.edu/ journals/ the_velvet_light_trap/ v054/ 54.1robe.html

Division of Psychoanalysis - APA
(1992), Film Theory and Criticism: Introductory Readings, Fourth Edition. New York: Oxford University Press. ...
www.division39.org/ pub_reviews_detail.php?book_id=131

Film
Film Theory and Criticism: Introductory Readings. 5th ed. New York: Oxford UP, 1999.*. Gianetti, Louis D. Understanding Movies. 5th ed. ...
www.unizar.es/ departamentos/ filologia_inglesa/ garciala/ bibliography/ Subjects/ 4.Genres/ Film/ 1.Film.General.doc

Books by Leo Braudy
Search for. Author/Title, Keyword, Title, Author, Publisher, ISBN, Featured Books. in. All Scholarly Subjects, Scholarly & General Subjects ...
www.frontlist.com/ author/ 52899

Cinesthesia: Garcha on Excess in Hollywood/Bollywood
Cinesthesia. Cinesthesia is a student-authored online journal from the Department of Cinema & Media Studies at Carleton College. ...
camswonks.blogs.com/ cinesthesia/ 2005/ 05/ garcha_on_exces.html

University of Chicago Press - Cellular Features - 10.1086/444519
See Tom Gunning, “An Aesthetic of Astonishment: Early Film and the (In)credulous Spectator,” in Film Theory and Criticism: Introductory Readings, ed. ...
www.journals.uchicago.edu/ cgi-bin/ resolve?id=doi:10.1086/ 444519

The Invisible London of Dirty Pretty Things
[3] Robert Stam and Roberta Spense, “Colonialism, Racism, and Representation: An Introduction” in Film Theory and Criticism: Introductory Readings, ...
www.literarylondon.org/ london-journal/ september2006/ hovet.html

Blue Velvet
Blue Velvet is difficult to watch. The film, like its teenage protagonist, is representative of that adolescent age where popularity becomes important. ...
www.klara.co.uk/ blue_velvet.htm

About the author (2004)

Leo Braudy and Marshall Cohen are both at the University of Southern California.

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