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FUNCTIONAL APPLICATIONS OF MUSIC
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absolute pitch Acoustical Society aesthetic affective response approach aspects audiation auditory background music basic basilar membrane beat chords cognitive composers composition context cultural diatonic scale discussion emotional evaluation examined expectations experimental frequency function Gestalt Hargreaves human important improvisation individual influence interaction intervals involves learning Lerdahl listeners loudness major measures melodic expectations melody meter mood movement Mozart effect musi music cognition Music Education Music Perception music psychology music therapy musical ability musical behavior musical experience musical meaning musical performance musical preference musical stimuli musical structure musicians musilanguage nonmusical notation notes octave organization particular perceive physiological pitch popular music processes psychoacoustical psychology of music recognize reflect regarding relationship Research in Music response to music rhythm patterns rhythmic behaviors scale semitones sequences Sloboda social songs stimulus subjects suggests synesthesia tempo theory timbre tion variables vary York