Art & Physics: Parallel Visions in Space, Time, and Light"Art interprets the visible world. Physics charts its unseen workings. The two realms seem completely opposed. But consider that both strive to reveal truths for which there are no words––with physicists using the language of mathematics and artists using visual images. In Art & Physics, Leonard Shlain tracks their breakthroughs side by side throughout history to reveal an astonishing correlation of visions. From the classical Greek sculptors to Andy Warhol and Jasper Johns, and from Aristotle to Einstein, artists have foreshadowed the discoveries of scientists, such as when Monet and Cezanne intuited the coming upheaval in physics that Einstein would initiate. In this lively and colorful narrative, Leonard Shlain explores how artistic breakthroughs could have prefigured the visionary insights of physicists on so many occasions throughout history. Provicative and original, Art & Physics is a seamless integration of the romance of art and the drama of science––and an exhilarating history of ideas." -- Amazon.com viewed November 16, 2020. |
From inside the book
Results 1-3 of 83
Page 100
... Euclid's assumptions about space . Eu- clid began his original work by declaring that his new science of space was rooted in ten axioms so self - evidently true that no sound mind would question them . These were then used to formulate ...
... Euclid's assumptions about space . Eu- clid began his original work by declaring that his new science of space was rooted in ten axioms so self - evidently true that no sound mind would question them . These were then used to formulate ...
Page 101
... Euclidean science of space , one in which the sum of the angles of the triangle would be greater than 180 degrees . In Riemann's peculiar geometry , there are no parallel lines and the shortest distance between two points is an arc ...
... Euclidean science of space , one in which the sum of the angles of the triangle would be greater than 180 degrees . In Riemann's peculiar geometry , there are no parallel lines and the shortest distance between two points is an arc ...
Page 195
... space . " To Giacometti's inner eye , figures such as Man Pointing ( 1947 ) ( Figure 14.2 ) assumed the physiognomy ... Euclidean geometry . Beginning in the 1870s , Hermann von Helmholtz , a German physicist , had popularized the notion of ...
... space . " To Giacometti's inner eye , figures such as Man Pointing ( 1947 ) ( Figure 14.2 ) assumed the physiognomy ... Euclidean geometry . Beginning in the 1870s , Hermann von Helmholtz , a German physicist , had popularized the notion of ...
Contents
Illusion Reality | 15 |
Classical Art Ideal Philosophy | 28 |
Sacred Profane | 38 |
Copyright | |
24 other sections not shown
Other editions - View all
Common terms and phrases
absolute rest abstract Albert Einstein appear Aristotle art and physics artists atoms became began beginning believed black hole Blake blue brain canvas causality Cézanne CHAPTER classical clock color concept cones created Cubism Dionysus discovery Duchamp early earth Édouard Manet Einstein energy Epigraph equations Euclid's Euclidean Euclidean space event horizon exist Fauvists Figure force fourth dimension future Galileo geometry Giotto gravity Greek human Ibid idea insight intuition José Argüelles Kant language later Leonardo linear Manet Marshall McLuhan mass mathematical medieval metaphor mind Möbius strip Modern Art Monet motion MUSEUM myth nature Newton objects observer painters painting perspective perspectivist philosophy physicists Picasso planet primitive proposed quantum reality relativistic Renaissance scientific scientists sculpture sequence shadows simultaneously space spacetime continuum special theory speed of light stars theory of relativity things thinking thought three-dimensional traveling University Press viewer vision visual Western words wrote York