Russian Art: From Neoclassicism to the Avant Garde, 1800-1917 : Painting - Sculpture - ArchitectureAs Dmitri Sarabianov tells us in this lively book, Russia first turned its face to Europe at the beginning of the eighteenth century. By the start of the nineteenth century, European ideas had been assimilated into the rich substratum of Russian culture and a unique amalgam began to emerge. Indigenous subjects became the focus of Russian art. In 1870, the Society for Traveling Art Exhibitions, whose members were known as the Wanderers, was founded. Its dual purpose was to educate the people through traveling exhibitions and to work for social reform. At the turn of the century, the dominant mode was Symbolism. But Modernist tendencies and other currents were gaining strength. These diverse aesthetics had to be rethought in 1917, when the Revolution brought the Bolsheviks to power. Functional, applied design came to the forefront. It is here, with the close of the most brilliant and innovative period in Russia's artistic life so far, that Professor Sarabianov ends his account of the pivotal years that led to the dazzling abstract, geometrical breakthroughs of Russian art. -- From publisher's description. |
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Page 57
... example , claimed that Russian painting owed its regener- ation to Briullov , and considered him the fons et origo of its real history . Briullov's successes seem less impressive in the context of the achievements of the century as a ...
... example , claimed that Russian painting owed its regener- ation to Briullov , and considered him the fons et origo of its real history . Briullov's successes seem less impressive in the context of the achievements of the century as a ...
Page 99
... example , worked in Moscow , where he completed the ensemble of Manège Square with the erection of the University church of St Tatiana , at the corner of the square and Nikitskaya Street . The church , with its soft , rounded contours ...
... example , worked in Moscow , where he completed the ensemble of Manège Square with the erection of the University church of St Tatiana , at the corner of the square and Nikitskaya Street . The church , with its soft , rounded contours ...
Page 254
... example , Mashkov's . Vasily Rozhdestvensky ( 1884-1963 ) was as restrained as Kuprin . He was at his best in paintings where the object had a particularly delicate texture and complex structure ( for example , still - lifes with cut ...
... example , Mashkov's . Vasily Rozhdestvensky ( 1884-1963 ) was as restrained as Kuprin . He was at his best in paintings where the object had a particularly delicate texture and complex structure ( for example , still - lifes with cut ...
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