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artistic audience believe brilliant called Candida career Cashel Byron's Cashel Byron's Profession character clever comedy comic conventional debate Devil's Disciple Doctor's Dilemma drama dramatic critic dramatist economic England English essay expression Fabian Society fact feeling force friends genius genuine George Bernard Shaw give H. M. Hyndman Henry Hubert Bland human humour Hyndman Ibsen ideal ideas imagination individual intellectual interest Irish labour Lady letter literary living London Major Barbara Marx modern moral Morris musical critic natural never Nietzsche novels passion philosophy political preface produced question realized regarded religion remarkable replied romantic satire Saturday Review scene sense sentiment Shakespeare Shavian Shaw once Shaw's Shaw's plays Sidney Webb social Socialist sort speaking stage Superman Theatre theory things thought tion to-day told true truth Wagner Warren's Profession William Archer woman words write wrote
Page 347 - I can give not what men call love, But wilt thou accept not The worship the heart lifts above And the Heavens reject not, — The desire of the moth for the star, Of the night for the morrow, The devotion to something afar From the sphere of our sorrow?
Page 489 - This is the true joy in life, the being used for a purpose recognized by yourself as a mighty one; the being thoroughly worn out before you are thrown on the scrap heap; the being a force of Nature instead of a feverish selfish little clod of ailments and grievances complaining that the world will not devote itself to making you happy.
Page 43 - The true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art.
Page 276 - where two or three are gathered together." The apostolic succession from Eschylus to myself is as serious and as continuously inspired as that younger institution, the apostolic succession of the Christian Church.
Page 177 - For the right moment you must wait, as Fabius did most patiently when warring against Hannibal, though many censured his delays; but when the time comes you must strike hard, as Fabius did, or your waiting will be in vain, and fruitless.
Page 512 - I can. I want to be thoroughly used up when I die, for the harder I work the more I live. I rejoice in life for its own sake. Life is no "brief candle
Page 382 - Undershaft, the hero of Major Barbara, is simply a man who, having grasped the fact that poverty is a crime, knows that when society offered him the alternative of poverty or a lucrative trade in death and destruction, it offered him, not a choice between opulent villainy and humble virtue, but between energetic enterprise and cowardly infamy.
Page 383 - They poison us morally and physically : they kill the happiness of society: they force us to do away with our own liberties and to organize unnatural cruelties for fear they should rise against us and drag us down into their abyss. Only fools fear crime : we all fear poverty.
Page 382 - The worst of crimes. All the other crimes are virtues beside it: all the other dishonors are chivalry itself by comparison. Poverty blights whole cities; spreads horrible pestilences; strikes dead the Very souls of all who come within sight, sound, or smell of it.
Page 376 - If you want to interest him in Ireland youve got to call the unfortunate island Kathleen Ni Hoolihan and pretend she's a little old woman. It saves thinking. It saves working. It saves everything except imagination, imagination, imagination : and imagination's such a torture that you cant bear it without whisky.