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The Beginnings of Part
Solo Song and Dance
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ballade became breve cadence called canon cantus chanson chant melody Chapter chord Christian Church clausula clef compared composers composition concords conductus contemporary discantus Dorian Dufay Dunstable duplum early Renaissance English example fact fauxbourdon fifteenth century fifth fourteenth century fourth France French Frottola Gloria greater Greek Gregorian chant groups hexachord hymns imitation important influence instruments intervals isorhythm Italian Ars Nova Italy Jacopo da Bologna Josquin keyboard Kyrie Landini later Latin less ligatures lines liturgy Machaut Mass mediaeval melismatic Missa Mixolydian modal monophony motet notation note values Ockeghem octave organ organum original part-music performed Perotin Petrus de Cruce phrase pieces played polyphonic popular Renaissance music rhythm rhythmic mode rhythmic patterns Roman de Fauvel rondeau scale secular music semibreve singing sixteenth solo songs sonority stave strings sung syllables tenor texts theorists thirteenth century triplum tropes troubadour trouveres twelfth century upper usually verse virelai vocal voices words written