Romance and Tragedy: A Study of Classic and Romantic Elements in the Great Tragedies of European Literature |
Contents
LITERATURE AND CRITICISM | 1 |
THE TERMS Classic AND Romantic | 21 |
GERMAN ROMANTICISM | 57 |
Copyright | |
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action Æschylus æsthetic Andromaque appear Aristotle artistic audience Bérénice Calderon character circumstances classic comedy conception confusion consciousness consists Corneille Corneille's Creusa criticism distinction drama dramatist Edipus effect emotions Eschylus Euripides expression fatal feeling finally former French Friedrich Schlegel genius genre German romanticism Goethe Greek tragedy Hamlet Hegel Hence Hippolytus human idea illusion illustration imitation impossible impression incongruity intellectual intention interest kind King Lear Le Misanthrope least less literary literature Macbeth manner matter of fact means mediævalism ment merely mind modern Molière mood moral motive nature never Novalis Orestes Othello particular passion peculiar Phèdre pity and horror play poet poetry principle problem Prometheus protagonist qu'il Racine Racine's reality reason result romantic romanticism romanticists Schlegel seems sense sentiment Shakespeare significance single Sophocles sort spirit stage style sure theatrical thing tion tragic qualm unity virtue whole wholly word Xuthus