Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film

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Simon and Schuster, Jan 3, 2005 - Performing Arts - 560 pages
67 Reviews
It wasn't so long ago that the Sundance Film Festival was an inconsequential event somewhere in Utah, and Miramax was a tiny distributor of music documentaries and soft-core trash. Today, of course, Sundance is the most important film festival this side of Cannes, and Miramax has become an industry giant, part of the huge Disney empire. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell - who once had to max out their credit cards to realize their visions on the screen - are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Down and Dirty Pictures chronicles the rise of independent filmmakers and of the twin engines - Sundance and Miramax - that have powered them. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind profiles the people who took the independent movement from obscurity to the Oscars, most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax an indie powerhouse. Biskind follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. He charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. As in Easy Riders, Biskind's incisive account is loaded with vibrant anecdotes and outrageous stories, all of it blended into a fast-moving narrative. Redford, the Weinsteins, and the directors, producers, and actors Biskind profiles are the people who reinvented Hollywood, making independent films mainstream. But success invariably means compromise, and it remains to be seen whether the indie spirit can survive its corporate embrace
  

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Review: Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film

User Review  - Arthur - Goodreads

Mostly a Weinstein book, but that's okay - highly engaging, and a genuine insight into the "indy" film scene of my era. Worth reading. Read full review

Review: Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film

User Review  - Aj - Goodreads

UGH, FINALLY finished this. I have to say that most of the reason that I hated this book had little to do with the research or the author's ability to string together a history narrative. I hated ... Read full review

Contents

Preface
1
Made in
27
The Anger Artists
59
Risky Business
91
The Buying Came
123
Hes Gotta Have
155
The House That Quentin Built
185
Pumping Up the Volume
216
Crossover Dreams
308
The Bad Lieutenant
341
The King of New York
374
All That Jazz Is Gone
405
Gods and Monsters
437
The Sweet Hereafter
470
Cast of Characters
485
Index
525

Swimming with Sharks
247
Ace and Gary
279

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About the author (2005)

Peter Biskind is the author of five previous books, including Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'n' Roll Generation Saved Hollywood. He is a contributor to Vanity Fair and was formerly the executive editor of Premiere magazine. He lives with his family in Columbia County, New York.

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