Digimodernism: How New Technologies Dismantle the Postmodern and Reconfigure Our Culture

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A&C Black, May 1, 2009 - Technology & Engineering - 282 pages
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A bold new challenge to postmodern theory

The increasing irrelevance of postmodernism requires a new theory to underpin our current digital culture. Almost without anybody noticing, a new cultural paradigm has taken center stage, displacing an exhausted and increasingly marginalized postmodernism. Alan Kirby calls this cultural paradigm digimodernism, a name comprising both its central technical mode and the privileging of fingers and thumbs inherent in its use.


Beginning with the Internet (digimodernism's most important locus), then taking into account television, cinema, computer games, music, radio, etc., Kirby analyzes the emergence and implications of these diverse media, coloring our cultural landscape with new ideas on texts and how they work. This new kind of text produces distinctive forms of author and reader/viewer, which, in turn, lead to altered notions of authority, truth' and legitimization. With users intervening physically in the creation of texts, our electronically-dependent society is becoming more involved in the grand narrative.


To clarify these trends, Kirby compares them to the contrasting tendencies of the preceding postmodern era. In defining this new cultural age, the author avoids both facile euphoria and pessimistic fatalism, aiming instead to understand and thereby gain control of a cultural mode which seems, as though from nowhere, to have engulfed our society.


With new technologies unfolding almost daily, this work will help to categorize and explain our new digital world and our place in it, as well as equip us with a better understanding of the digital technologies that have a massive impact on our culture.

  

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Review: Digimodernism: How New Technologies Dismantle the Postmodern and Reconfigure Our Culture

User Review  - Monica - Goodreads

Interesting cultural commentary, but I would've liked more focus on literature, considering Kirby makes the claim elsewhere and here that postmodernist literature is irrelevant for current college students. Read full review

Contents

Introduction
1
1 The Arguable Death of Postmodernism
5
2 The Digimodernist Text
50
3 A Prehistory of Digimodernism
73
4 Digimodernism and Web 20
101
5 Digimodernist Aesthetics
124
6 Digimodernist Culture
166
7 Toward a Digimodernist Society?
225
Endless
246
Notes
249
Works Cited
263
Index
271
Copyright

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About the author (2009)

Alan Kirby is a writer and researcher in twentieth-century literature and culture. He has published on subjects including Stephen Poliakoff, John Fowles, spy fiction, and James Joyce. He received his PhD from the University of Exeter and is currently based in Oxford.

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