Riding Shotgun: Women Write about Their Mothers

Front Cover
Kathryn Kysar
Minnesota Historical Society, 2008 - Biography & Autobiography - 228 pages

Just in time for Mother's Day, a group of America's celebrated literary women have come together to tackle a topic close to their hearts: Mom. These highly personal yet often universal stories offer windows into those influential mother-daughter moments that have forever shaped the lives And perspectives of the writers, powerful women-authors, spokespeople, scholars, teachers, and some mothers themselves.

Jonis Agee's mother haunts her daughter's plumbing. Tai Coleman's mother struggled to raise five children on her own wits and a single paycheck. Heid Erdrich's mother showed her daughter both the falsity and the truth in the cliche of the "Indian Princess." Sheila O'Connor's mother, who ran a road construction company, was not like other mothers. Ka Vang's mother dodged the hand grenades that her husband's first wife threw on her wedding day. Morgan Grayce Willow's mother drove home late at night after selling cosmetics to farm wives as her daughter rode shotgun.

In true tales of startling candor and rich insight, these and many other talented writers reflect on the women who raised them, revealing hard work and hardship, successes and failures, love and anger-mothers and daughters.

Kathryn Kysar, the author of Dark Lake, teaches writing in Minneapolis. She has received fellowships from the National Endowment for the Humanities, Norcroft, the Anderson Center for Interdisciplinary Studies, and the Banfill-Locke Center for the Arts.

 

Contents

Elizabeth Jarrett Andrew Enough II
11
Barrie Jean Borich When We Were in the Projects
27
Heid E Erdrich Indian Princess Girl Guide Plains Mother
55
Will Be Your ChildWorker
147
Wang Ping Tough Love
185
Morgan Grayce Willow Riding Shotgun for Stanley Home Products
213
Acknowledgments
223
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About the author (2008)

Kathryn Kysar, the author of Dark Lake, teaches writing in Minneapolis. She has received fellowships from the National Endowment for the Humanities, Norcroft, the Anderson Center for Interdisciplinary Studies, and the Banfill-Locke Center for the Arts.