Shakespeare reshaped, 1606-1623
For much of the twentieth century, textual criticism of Renaissance drama concentrated upon the scribes and compositors who may have been responsible for changing the author's spelling, punctuation, and (occasionally) individual words. Shakespeare Reshaped instead focuses upon agents andinstitutions which affected playtexts much more dramatically: legislated expurgation, theatrical innovation, and posthumous adaptation. Expurgation transformed the linguistic texture of such works as King John and The Merry Wives of Windsor. The insertion of musical intervals between actsretrospectively transformed the structure ofplays as different as andIA Midsummer Night's Dream and King Lear. And, another playwright (probably Thomas Middleton) transformed Measure for Measure by expanding and adapting Shakespeare's original. Together, these studies produce a new model of thetransformation of Renaissance plays by a collective industry of the imagination.
66 pages matching Middleton in this book
Results 1-3 of 66
What people are saying - Write a review
We haven't found any reviews in the usual places.
Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus
Margreta De Grazia
No preview available - 1991
ActIntervals in the London
Theatrical Editorial and Literary
Theatrical Interpolation in Measure
8 other sections not shown
act-divisions allusion Angelo appear attribution authorship beginning Chapman Chaste Maid Claudio clearly collaboration Compositor conjecture copy Cymbeline dialogue Dissemblers divisions dramatic Duke Duke's editors elsewhere emendation entrance Escalus evidence examples exit expurgation extant Field's Fletcher Canon Folio text foul papers Game at Chess Gentlemen Greg Hamlet heauen Hensman Honest Whore interpolation Isabella Jonson's Juliet King John King's late lines literary transcript London Lucio manuscript Mariana Massinger Measure for Measure Merry Wives metrical Michaelmas Term Middleton Moreover Nice Valour occurs original Othello Overdone's Oxford parallels performance play's Poems preference printed texts probably profanity prompt-book Quarto Ralph Crane Revenger's Tragedy revision Richard Rollo scene scene-divisions scribal scribe Second Maiden's Tragedy second stanza seems Shakespeare Shakespearian soliloquy song speech spelling stage directions suggests suspect passage Textual Companion theatre theatrical Timon tion variants W. W. Greg Wilson Witch Women Beware Women words wrote