Juárez: The Laboratory of Our Future"Juarez: The Laboratory of Our Time challenges the propaganda and the realities of the current relationship between the United States and Mexico, focusing on the more intimate connection between the border towns of El Paso and Juarez. Charles Bowden, who first brought attention to the story of the Juarez photographers in "Harper's (December 1996), has written an uncompromising, piercing work that combines insightful and informed reporting with a poetic and wry style. His powerful text, integrated with brutal and revealing images by a group of unknown Mexican street photographers, takes on issues of NAFTA, immigration, gangs, corruption, drug trafficking, and poverty, uncovering a very different Mexico than generally depicted in the press and by the United States and Mexican governments. Conditions in the impoverished "colonias (urban settlements), work on "maquiladora (foreign-owned factory) assembly lines, arrests and victims resulting from drug and gang violence, the hardships for women andchildren--,in short, everyday life in Juarez-- are all depicted here with an urgency and passion that could only grow from pure desperation. This group of guerrilla photographers, most of whom work for one of the daily newspapers in Juarez, earning the equivalent of only $50 to $100 per week (although the cost of living in Juarez is nearly that of El Paso), risk their lives daily with the photographs they take, alienating themselves from the local governments in both Juarez and El Paso, the police, the drug traffickers, and the gangs. It is all too easy for the American media (and, consequently, the American public) to ignore the plight of the almost two million residents of a cityseemingly so distant and foreign, yet the brutal irony is that many of these people-- our not-so-distant neighbors-- suffer directly from the effects of our "progress." Many Mexicans continue to work in subhuman conditions, with litt |
From inside the book
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Page 6
... stare at him with a certain curiosity , but also with a fundamental indifference . What is he going to do when he gets out ? How is he going to live ? Whom is he going to love ? How is he going to work ? This frightens me even more than ...
... stare at him with a certain curiosity , but also with a fundamental indifference . What is he going to do when he gets out ? How is he going to live ? Whom is he going to love ? How is he going to work ? This frightens me even more than ...
Page 73
... stare at her stringy hair and broken eyes . napshots make Juárez stand still . You can run seems to keep the photographers going . A shooter is desperate to get the shot of a man who has cut off his genitals in a moment of serious ...
... stare at her stringy hair and broken eyes . napshots make Juárez stand still . You can run seems to keep the photographers going . A shooter is desperate to get the shot of a man who has cut off his genitals in a moment of serious ...
Page 105
... staring at the screen . Manny Sáenz has just finished showing me huge prints of his work . Alfredo Carrillo is auto ... stares at me . The skin is smooth , almost carved and sanded , but much too dark . And the screams are simply too ...
... staring at the screen . Manny Sáenz has just finished showing me huge prints of his work . Alfredo Carrillo is auto ... stares at me . The skin is smooth , almost carved and sanded , but much too dark . And the screams are simply too ...
Common terms and phrases
Alfredo Carrillo Amado Carrillo Fuentes American Anapra body camera Charles Bowden Ciudad Juárez Colonia consumed cops countries cross dead death disappeared drinking drug economic Eduardo Galeano El Paso Elena Poniatowska equivalent Ernesto Rodríguez eyes face feel fire foreign-owned factories free trade future Gabriel Cardona gang girl happen images industrial Jaime Bailleres Jaime Murrieta Julián Cardona kill labor live look Lote Bravo Lucio Soria Espino Manuel Sáenz maquiladoras maquilas matter ment Mexican México City Miguel Perea million months mural murdered NAFTA narcotraficantes newspaper night Noam Chomsky numbers Opposite bottom Opposite top Pantera Paso percent photograph plant police poor poverty Puente Internacional river São Paulo screen shacks shoot smile stand stare story street shooters talk Tarahumara television tell things tion tographer U.S. Border Patrol violence wages week woman workers young