Fashion and Its Social Agendas: Class, Gender, and Identity in Clothing

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University of Chicago Press, 2000 - Health & Fitness - 294 pages
4 Reviews
It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed.

Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups.

Crane extends her comparison by showing how nineteenth-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film, and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and sexuality in the fashion industry.

An absorbing work, Fashion and Its Social Agendas stands out as a critical study of gender, fashion, and consumer culture.
"Why do people dress the way they do? How does clothing contribute to a person's identity as a man or woman, as a white-collar professional or blue-collar worker, as a preppie, yuppie, or nerd? How is it that dress no longer denotes social class so much as lifestyle? . . . Intelligent and informative, [this] book proposes thoughtful answers to some of these questions."-Library Journal
  

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Review: Fashion and Its Social Agendas: Class, Gender, and Identity in Clothing

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Review: Fashion and Its Social Agendas: Class, Gender, and Identity in Clothing

User Review  - Leonard Houx - Goodreads

Fashion and Its Social Agendas compiles an impressive amount of historical research on a fascinating topic. Despite this, the book was remarkably boring by avoiding both historical detail and ... Read full review

Contents

Fashion Identity and Social Change
1
WorkingClass Clothing and the Experience of Social Class in the Nineteenth Century
26
Fashion Democratization and Social Control
67
Womens Clothing Behavior as Nonverbal Resistance Symbolic Boundaries Alternative Dress and Public Space
99
Fashion Worlds and Global Markets From Class to Consumer Fashion
132
Mens Clothing and the Construction of Masculine Identities Class Lifestyle and Popular Culture
171
Fashion Images and the Struggle for Womens Identity
204
Fashion and Clothing Choices in Two Centuries
237
List of Monographs of NineteenthCentury French WorkingClass Families Published by Frederic Le Play and His Associates
251
Interview Schedules Questionnaire for Focus Groups
257
References
263
Index
287
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About the author (2000)

Diana Crane is a professor of sociology at the University of Pennsylvania.

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