Matters of fact: reading nonfiction over the edge
Matters of Fact examines what happens when writers and readers encounter texts presented as nonfiction: texts that make some truth claim on outside experience, texts whose characters and events have at least some tangible dimension outside the written word. The current critical climate blurs most meaningful distinctions between fiction and nonfiction. Literary critics have argued that since experiences can be approached only through the stories we tell about them, it is futile to attempt to produce a single "true" account of any event. Daniel W. Lehman approaches the fiction/nonfiction conundrum from another perspective. Rather than attempting to establish distinctions between abstract notions of fiction and nonfiction, he examines the experience of engaging with both kinds of texts. Reading and writing nonfiction, he contends, is fundamentally different from reading and writing even the most strongly realistic fiction. The difference between the two stems from a recognition that actual subjects are linked to nonfiction texts. An author may try to hide the link by withholding names or changing details, and scholars may try to ignore the link as somehow tainting a purely literary experience, but nonfiction's operations defeat those efforts. While authors of fiction build worlds that encompass their characters and narratives, a nonfiction text always competes with the lives and events that lie outside it, lives and events it cannot contain. Matters of Fact examines how this inside/outside contest plays over a variety of nonfictional texts, ranging from nineteenth-century narratives by Charles Dickens and Henry Mayhew through the writings of Sigmund Freud, John Reed, Tom Wolfe, and JoanDidion, culminating in a discussion of Tim O'Brien, who has written stories of his experience in the Vietnam War in hybrid combinations of fiction and nonfiction.
17 pages matching Frus in this book
Results 1-3 of 17
What people are saying - Write a review
We haven't found any reviews in the usual places.
Scripted and Conscripted History
Implicating the Author in
Rupture and Control in
4 other sections not shown
actual American analysis argues audience Banaszynski body book's Booth Calley chapter characters claim Combat Zone constructed critical cultural death deeply depiction Didion discourse Dora Dora's Electric Kool-Aid Acid experience fact and fiction fiction and nonfiction Freud's Frus genre Going after Cacciato Herr imagine implicated Insurgent Mexico interview James Phelan Joan Didion John Reed journalism journalist Ken Kesey Kennedy assassination Kesey Kesey's Kiowa Kool-Aid Kool-Aid Acid Test Kramer Last Cowboy literary lives metafictional Miami mimetic narrative presence narrator never Nicole Brown Simpson night nonfiction text nonfictional narrative novel O. J. Simpson O'Brien Phelan photographs political Pranksters present published Quang Ngai province readers reading nonfiction reality Reed's reporter response reveals rhetorical Rosenstone Salvador says scene seems Shilts social soldier sort strategy talk tells textual Things They Carried tion truth Vietnam voice Wade Wolfe Wolfe's writing York
All Book Search results »