The Nearest Edge of the World: Art and Cuba Now |
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actions active aesthetic African American appropriation arms army Batista becomes begins Bienal of Havana calls Carlos Castro Center City common complex Contemporary continued countries critic Cuba Cuban art Cuban artists cultural death Design developed Drawings economic elected elements establish Exhibitions expressed Fidel Fine Art force Gallery idea identity importance independence Institute of Art interest Island issues José known Latin America living mainstream March Marxism means movement Museum and Palace National Museum NEAREST EDGE objects opened organized origin painting Party periphery pieces political popular possible postmodern present President problems production provides reality recent relations Republic result saying sense social socialist society Spain Spanish Studies style successful sugar Superior Institute takes things tion tradition United USSR values visual West Western WORLD York young