Making a Water Colour |
From inside the book
Results 1-3 of 3
Page 18
... stretcher , or , for smaller sketches , in pad form . Paper mounted on a drawing board is another method in use . Bristle Brushes . This type of brush is used by some artists , but the result is grainy and scrubbed looking , not clear ...
... stretcher , or , for smaller sketches , in pad form . Paper mounted on a drawing board is another method in use . Bristle Brushes . This type of brush is used by some artists , but the result is grainy and scrubbed looking , not clear ...
Page 20
... stretcher round to opposite side and repeat the process . The two remaining sides are then pinned down . Always place the drawing - pin in the middle of each side and work towards the ends . This ensures a taut surface . The four ...
... stretcher round to opposite side and repeat the process . The two remaining sides are then pinned down . Always place the drawing - pin in the middle of each side and work towards the ends . This ensures a taut surface . The four ...
Page 32
... stretcher , otherwise it will wrinkle or buckle . A clean surface . Sponging means removing every vestige of colour from the part to be changed , clean to the paper . Sponge softly and keep changing the water so that muddy colour is not ...
... stretcher , otherwise it will wrinkle or buckle . A clean surface . Sponging means removing every vestige of colour from the part to be changed , clean to the paper . Sponge softly and keep changing the water so that muddy colour is not ...
Other editions - View all
Common terms and phrases
accents art gum artists Bonington Brangwyn brilliant BRINGING OUT HIGH-LIGHTS Cadmium Cerulean Blue charged brush Chinese Opium Bottles Chinese white clean clear Cobalt colour forms colour is flooded colour on paper composition cool colour Cotman crisp dark colour Dark masses detail drawing-pin easel edges effect envelopment ETHELBERT Fishing Boats flowing colour foreground frame GEORGE PEARSE ENNIS Glue green Greta Bridge handling HOLDING BRUSH Lady Sybil Smith last stage light Lucerne manner Mats or mounts McEvoy METHODS OF HOLDING Millbank Miss Eliza Wedgwood Miss Sargent Sketching Pan colour pencil sketches PETER DE WINT Plate possible primary colours remove renewed surface back reproduced result Rio di San RUSSELL FLINT San Trovaso SAVING A WATER-COLOUR Sheringham SPONGING UNSUCCESSFUL Streatham Common stretcher STRETCHING WATER-COLOUR PAPER Studio Series texture THOMAS GIRTIN Turner UNIV warm and cool WATER-COLOUR By GEORGE WATER-COLOUR BY SPONGING water-colour painting Wedgwood with Miss white paper Winding Nets