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The Expression of the Sublime in Byzantine Archi
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achieved aesthetic category ancient Greek anthropocracy archi artistic axis Baroque basilica beautiful Byzantine architecture Byzantine art Byzantine church Byzantine painting Byzantium cathedral centre character characteristic Christ Christian art classical architecture classical art colours composition concepts contemplation contrast created curved Daphni decoration dematerialised Demus depth despite divine dome dominated dynamism elements example expression external feeling of space figures fresco Gothic Gothic architecture Gothic art grace Haghia Sophia hagiography harmony Hellenic Hellenistic history of art Hosios Lukas human ideal imitation impression infinite intensity interior light mainly mass Mistra mosaic movement nature objects Oriental Panofsky period philosophy pictorial picture plane plastic Plotinus polychromy predominates proportions Renaissance rhythm rhythmic Rococo Roman Rome San Vitale screen-walls sculpture sense serenity spectator spirit static style sublime suggest surface system of perspective tendency theocracy Thessalonike tion tragic transcendental ugly unity vanishing point vaults vertical visual walls whole Wolfflin